Oliver Nelson

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  • 125TH AND 7TH AVENUE

    BIG BAND INSTRUMENTAL. This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a catchy, medium rock-shuffle groove, this arrangement features solos for alto saxophone, tenor saxophone, trumpet, and trombone. This can easily be opened up for more solos. There are no doubles. Contents Full Score 2 Alto Saxophones 2 Tenor Saxophones Baritone Saxophone 4 Trumpets 2 Horns in F 4 Trombones Tuba Piano Bass Drums Tambourine Learn More
  • Brilliant Corners

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • Butch Butch

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • Cascades

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • Complex City

    This composition by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. This is a brilliant and innovative piece of music. Less of an arrangement and more of a full-length composition, this features reeds on a variety of woodwinds and a percussion section including vibes, xylophone, timpani, and claves. This percussion part is meant to be played by a single person. There are many meter shifts including 3/4, 3/8, 3/16, 6/16, 5/8, 7/8, and 6/4! Oliver wrote this arrangement without a key signature and we have not included one. The first half of the composition is more classical inspired than jazz. There are Copland and Bartok influences throughout. An 8-bar drum solo leads the group into a bright swing feel for an open solo section. Solos are featured for piano, tenor saxophone, and trumpet. If your band can pull it off, this would make a fantastic concert or festival piece. Learn More
  • EAST SIDE, WEST SIDE

    This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a modal 9/8 groove (with two measures of 4/8 thrown in) this chart features a lengthy alto saxophone solo (played by Phil Woods on the recording) with nice backgrounds. Also featured is vibraphone. Oliver wrote this arrangement (and the others from this recording session) for two bass players (played by Ron Carter and George Duvivier). Throughout this particular arrangement one bass player is arco and the other is pizz. There are no instrument doubles. Learn More
  • Hoe Down

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • Let's Cool One

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • Little Rootie Tootie

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • Monk's Point

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • One for Duke

    This arrangement by Oliver Nelson was part of the Jazzhattan Suite and recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. This arrangement features solos for piano, clarinet and trumpet as well as an optional open solo section. Learn More
  • Penthouse Dawn

    This composition by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. This lovely ballad was written as an alto feature for the great Phil Woods. Reeds 1 and 3 double on flute, reed 4 doubles on clarinet, and reed 5 doubles on bass clarinet. Sierra Music previously published this arrangement without the instrument doubles and removed the vibraphone, tuba bell, and French horn parts. This publication is the way Oliver Nelson wrote it - and the way it was recorded. Learn More
  • Reflections

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • Stolen Moments

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • Teenie's Blues

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • Trinkle Tinkle

    This arrangement is not complex and can be easily prepared for concerts and competitions. They can be opened up for any and all soloists, not just piano, trumpet and tenor sax. We have chosen to leave the instrumentation the way Nelson had it (4 reeds, 3 trumpets, 3 trombones, guitar, piano, bass, drums); no optional parts have been added. Learn More
  • Yearnin'

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More

17 Item(s)

per page

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