Composer

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  • A Winter's Tale

    CONCERT BAND. The classic Queen number in a full concert band arrangement. Learn More
  • Afternoon in Paris

    John Lewis (composer, pianist, and founder of the acclaimed Modern Jazz Quartet) penned Afternoon in Paris in the '50s and it has remained a jazz standard ever since. This nicely crafted version for younger bands opens with a small group on the head and drums on brushes. Solos for trumpet and tenor follow, along with full ensemble statements. Learn More
  • Against all odds (take a look at me now) professional edition

    CONCERT BAND. This version of the superb Phil Collins Big Band alto sax feature chart includes flute, oboe, 3 clarinets, 2nd alto sax, tenor and baritone saxes and bassoon. 3 horns in F, 4 trumpets and 4 trombones. Drums, percussion, guitar, double bass, tuba (optional) and vibraphone (or piano). From the album "A Hot Night in Paris". Key Ab. Learn More
  • Alice in Wonderland

    A jazz waltz, this standard is a familiar song from the Disney movie. Arranger Jack Cooper delivers an upbeat swingin’ waltz that will be an ideal contrast to any concert. Includes solo space for alto and trumpet, lead trumpet range is to written A above the staff, a big shout chorus and all the optional parts. Learn More
  • All Blues

    One of the most famous jazz waltz's ever written, this small band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. Learn More
  • Any Old Time

    BIG BAND GIRL VOCAL - BILLIE HOLIDAY. This is one of those songs which are very worthwhile listening to on You Tube for the superb phrasing by Billie Holliday, even if you are not planning to buy the chart. This was one of Artie Shaw's biggest early hits.Recorded in 1938 with Billie Holiday and later on with Helen Forrest. It is a clarinet feature in addition to a vocal chart. It begins in F for a chorus and then modulates to C for the vocal part. The chart then goes to Ab for the last section. Shaw's clarinet parts are written out in full (on Alto1) as well as the 8-bar tenor solo. Chord changes have been provided in the event that the players would rather improvise. It was originally written for 3 trumpets and 2 trombones, but it has been adapted for 8 brass. Also the baritone sax doubles on Alto for most of the arrangement. Learn More
  • At This Moment

    A Michael Buble Augmented Big Band Chart. This was a number one hit ballad for singer songwriter Billy Vera and now featured by Michael Buble on his album Crazy Love. Cy Payne has faithfully transcribed it for Augmented Big Band with full strings. Learn More
  • Baby You've Got What It Takes

    A Michael Buble Augmented Big Band Chart. This is the Michael Buble and Sharon Jones duet from the album "Crazy Love". This edition is for the usual Big Band instrumentation plus full strings: Violins 1 & 2, Viola & Cello. See our Cat No 4237 for the usual Big Band line up. It is also available for Small Band. Learn More
  • Basin Street Blues

    Introduce your beginning group to the concept of “call and response” (so common in early jazz) with this carefully written, easy arrangement of this well-known jazz standard. Like all titles in the Essential Elements Jazz Ensemble series, it includes exercises to help teach style, as well as sample written solos. Learn More
  • Bewitched

    This standard has been recorded countless times and remains a popular choice for singers. Mark's lush setting can also be used as a Tenor sax feature.  Learn More
  • Blackbird

    Perhaps one of the Beatles' lesser known tunes, Blackbird remains one of their most creative and memorable. Mike Tomaro's smooth setting uses a blend of light funk along with a brief samba section to create a truly outstanding effect. The theme is stated simply in the beginning on trumpet, followed by an array of orchestrational textures and harmonies Learn More
  • Blue'n' Moody

    Utilizing the Dorian mode and a bluesy melody, here is a catchy original perfect for teaching swing. This one also works great for beginning improvisers since the solo section uses only two chords (two scales). Sure to become a favourite with your band Learn More
  • Brick House

    It is absolutely impossible to find a funkier tune than this R&B hit from the '70s courtesy of The Commodores. Paul's chart has it all from the trademark bass riff to the ensemble punches and melodic hooks. Bring down the house as you groove on this one! Learn More
  • Chelsea Bridge

    Ah,  this beautiful ballad by Billy strayhorn is full of lush textures.  Every performance needs a ballad, and this one is truly superb. Learn More
  • Cool

    From one of the most famous musicals of all time, here is the swingin' and aptly titled “Cool.” Mark's version for young players remains true to the original but adds a touch of contemporary flair with the melody passed from section to section and solo space for trumpet. Timeless! Learn More
  • Crazy Little Thing Called Love

    CONCERT BAND. This ever popular Freddie mercury number is great fun to play as well as being just right for a concert. Ensemble / section playing throughout and no solos makes it ideal for the developing school / student band. Full score included as well as alternative bass clef (C) and treble clef (Bb) trombone parts. Learn More
  • Crazy Love

    Michael Buble Augmented Big Band Chart. The Van Morrison composition featured by Michael Buble on his album of the same name, carefully transcribed by Cy Payne. Key as recorded. Full strings. The featured Guitar solo is fully written out, plus alternative solo for 1st Alto sax.      Learn More
  • Cry Me a River

    Michael Buble Augmented Big Band Chart. The powerful concert number transcribed by Cy Payne from Michael Buble's album "Crazy Love". Keys as recording. Includes full strings plus 2 Horns in F. Learn More
  • Defibrillator

    Nothing makes you tap your foot like a shuffle and this one has a monster back-beat groove.  A very hip melody line, written out solos for tenor sax and 1st trombone.  check out the hot bari sax part ,too! Learn More
  • Django

    Feature vibes or piano on this terrific arrangement of the classic jazz standard by John Lewis.  great scoring for the whole ensemble ! Learn More

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