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  • Ev'ry Time We Say Goodbye

    Here is a really rich and lush arrangement of Cole Porter's beautiful ballad. Written for female vocal, the chart was in part inspired by Ella Fitzgerald's rendition in her Songbook album, but is not a transcription of that particular version. After a short intro the singer takes the first chorus, backed by woodwind and muted brass. The saxes take a soli, backed by Trombones, and then the bones take their soli backed by muted Trumpets. The vocalist returns and rounds the whole thing off. In the reeds Alto 1 doubles Flute, Alto 2 and both Tenors double Clarinet. However, we have printed the A2, T1 & T2 parts double-sided, with a "no Clarinet double" option on the reverse. The vocal key is Bb throughout. En savoir plus
  • 'S Wonderful

    Originally arranged by Ray Conniff for the Shaw band and recorded in January 1945, this excellent chart works so well on many levels. It contains a fair number of innovative arrangement techniques: the opening unison Trombone riff, the Tenor doubling lead beneath the Trumpets, the Clarinet leading the Trumpets in the middle eight, a five-part combo in the middle and a great shift to full swing feel after Shaws' glorious solo work (which written out in full). Conniff has taken what is otherwise an arguably slightly dull tune and turned it into a masterpiece. This chart is a must for all Shaw lovers. En savoir plus
  • (our) Love Is Here To Stay

    AUGMENTED BIG BAND GIRL VOCAL. Full strings included. Ella Fitzgerald recorded this arrangement on her Gershwin Songbook album of 1959. Featured is a solo for trumpet 2. We have included an optional synth part so that it may be played without the strings. This has been published directly from the original score and parts. Contents Full Score Vocal 2 Alto Saxophones 2 Tenor Saxophones Baritone Saxophone 4 Trumpets 4 Trombones (4th is Bass) 3 Violins Viola 3 Cello Guitar Piano Bass Drums Synthesizer (optional) En savoir plus
  • 125TH AND 7TH AVENUE

    This arrangement by Oliver Nelson was recorded by the Jazz Interactions Orchestra in 1967, an ensemble led by pianist Billy Taylor. Set in a catchy, medium rock-shuffle groove, this arrangement features solos for alto saxophone, tenor saxophone, trumpet, and trombone. This can easily be opened up for more solos. There are no doubles. Contents Full Score 2 Alto Saxophones 2 Tenor Saxophones Baritone Saxophone 4 Trumpets 2 Horns in F 4 Trombones Tuba Piano Bass Drums Tambourine En savoir plus
  • 12th Street Rag

    12th Street Rag as you never imagined! It opens by imitating traffic along 12th Street, in a series of dissonant hoots before the band kicks in with the real intro. The chart uses a dixie band-in-band on three occasions, in a different historical jazz style - 20's, 40's and 60's. Interspersed with these are some blasting tutti passages. The whole piece goes through 5 modulations, building all the time. This is a very challenging chart in all sections. Also both Altos and Tenors double Clarinet, and the Bari doubles Alto for his solo (which can be played on Bari instead). En savoir plus
  • 920 Special

    Version taken from the 1960's & forms part of our Basie series ready for his Centenary in 2004. It features some great sectional work & interplay between Saxes & Trumpets throughout the chart. This chart features solo space for Alto, Trumpet & Tenor, plus we have written out Count Basie's piano solos & fills for you, though your pianist can always improvise from the chords. No sax doubles. En savoir plus
  • A Foggy Day

    AUGMENTED BIG BAND VOCAL. This swinging studio orchestra arrangement was written by Billy Byers in May of 1970 for a concert that Sinatra gave at Royal Festival Hall in November of that same year. This is classic Sinatra/Byers - swinging reed figures and punchy brass with string support. We have included a synth part that may be used in the event that your ensemble doesn't have access to string players. This is not a difficult arrangement (except for the brass ranges) and would be fairly easy to work up for a concert. Also, we have included the vocal line as written by Byers. Key of D flat. En savoir plus
  • A Kiss From You

    This enchanting melody originated in a score Carter wrote for television's 'Chrysler Theater' in 1963. It was known as 'Lydia' until Johnny Mercer added a lyric. At a 1973 concert at Princeton University Carter offered the big band version which was recorded in 1986 by the American Jazz Orchestra. En savoir plus
  • A Night Like This

    Caro Emerald Augmented Big Band Girl Vocal. A laid back steady Latin number with a real warm Mediterranean late night style. The essential Latin percussion part is included. En savoir plus
  • A Nightingale Sang in Berkeley Square

    Lovingly transcribed by Alan Glasscock from Miller's October 1940 New York recording originally arranged by Bill Finegan and sung by Ray Eberle, this lush chart is classic Miller, full of tonal colour and rich dynamics. The reeds are scored CAATT, with all saxes called upon to double Clarinets. Tenor 2 also has a short Bass Clarinet line underneath the Trombones, but this can be played as written on Tenor. The Tex Beneke solo is written out in full too.  The vocal key is Eb. En savoir plus
  • A Shade Of Jade

    This arrangement features a lengthy solo for a tenor saxophone soloist. Included are open solo sections so that any number of soloists may be featured. In addition, while there was no guitarist used during the recording sessions, we have included a guitar part as Joe had done in his arrangements. These arrangements will require significant time to work them up, but they would be a amazing for any competition or festival! This has been edited and egraved directly from Joe's original scores and parts - this is not a transcription. En savoir plus
  • A Summer Place

    An instantly recognizable theme tune from the film of the same name. En savoir plus
  • A Winter's Tale

    A full concert band arrangement of this modern Christmas season number. En savoir plus
  • A-Tisket A-Tasket

    Big Band Girl Vocal Chart. A-Tisket A-Tasket was a hit for Ella Fitzgerald during her time with the Chick Webb band, & remains one of her most memorable charts. Klaus Lessmann has produced a classy transcription of this chart & had adapted it for a full band line-up. Everything is here, including the band answer-back vocals. Both the sax & the brass sections get to have a go! All articulations are clearly marked & the vocal sheet is as per Ella's performance. En savoir plus
  • Accentuate the Positive

    This stunning Ella Fitzgerald chart is a classic.  The arreangement is as the original, except that we have simplified the sax lines behind the opening verse and made a small Trumpet voicing change in the second measure. En savoir plus
  • Aces and Faces

    As part of our expanding Basie series, we are delighted to offer you the very rarely heard Aces & Faces, a medium swing tempo chart from the Basie band of 1945, featuring the Trumpet section. There are ad-lib solos for Piano, Clarinet, Tenor 1 (cued on 2), Trumpet 2 (cued on 1,3 & 4) & Trombone 1 (cued on 2) too.  This chart will make a refreshing addition to any library, & it is very playable, provided you have soloists who can improvise! Lead Alto doubles Clarinet. En savoir plus
  • Achy Breaky Heart

    Achy Breaky Heart" is a country music song written by Don Von Tress. Originally titled "Don't Tell My Heart" and performed by The Marcy Brothers in 1991, its name was later changed to "Achy Breaky Heart" and performed by Billy Ray Cyrus on his 1992 album Some Gave All. As Cyrus' debut single and signature song, it made him famous and has been his most successful song. It remains Cyrus's biggest hit single in the USA to date, and his only one to reach the Top 10 of the Billboard Hot 100. Thanks to the video of this hit, there was the explosion of the linedance into the mainstream, becoming a craze. En savoir plus
  • Adiemus

    An impressive instrumental concert number, starting quietly and gradually building to a ff climax, following the layout of Carl Jenkins original recording. Percussion parts included. En savoir plus
  • Adios

    A hauntingly beautiful number from the Glenn Miller book. Ours is a faithfull reproduction of the original arrangement, with correct Miller voiced Saxes throughout. Lead Trumpet takes the solo line, & lead Trombone has the muted middle solo. This chart is all about dynamics & blending of instruments, in order to achieve the right feel & expression. The notes are easy, but the band must be light. Sax doubles. Alto 1 on Clarinet throughout. Baritone - Alto   En savoir plus
  • Afrodisia

    This Kenny Dorham Latin arrangement was recorded in 1955 on Afro/Cuban (Blue Note). This is fully arranged with great backgrounds during the solos. Contents Full Score Trumpet Tenor Saxophone Trombone Baritone Saxophone Piano Bass Drums En savoir plus

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