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  • All I Want for Christmas is You

    MICHAEL BUBLE SMALL BAND VOCAL CHART. Originally an up tempo number, this works brilliantly, pulled right back as a slow rock ballad. Alto, tenor, bari, 2 trpts, trom, 4 rhythm, vocal, full score. Also Available for Big band 4285 and Augmented Big Band 4286 Learn More Learn More
  • All I Want for Christmas is You

    MICHAEL BUBLE AUGMENTED BAND VOCAL CHART. Originally an up tempo number, this works brilliantly, pulled right back as a slow rock ballad. Alto, tenor, bari, 2 trpts, trom, 4 rhythm, vocal, full score. Also Available for small band 4284 and Big Band 4285 Learn More
  • All Of Me

    This version is a transcription of Basie's perfomance from the "Sinatra at the Sands" album and it differs slightly from the great Billy Byers studio version of the chart. The chart must be taken at a laid-back pace and your band needs to observe the written dynamics and articulations in order to achive the right feel. Learn More
  • All the Cats Join In

    Benny Goodman recorded this chart as an instrumental feature, to which a vocal overlay was added before it became part of the soundtrack for Disney's 1946 Make Mine Music cartoon cinema release. It's a hot swing chart that features Clarinet, Piano, Trombone, Trumpet and Tenor, and it works equally well as a concert or swing dance chart. Aside from the Piano solos, all the others are written out in full "as played" by the BG orchestra. We have cross cued the Piano solo chords onto the Clarinet part, should you wish to make this number an extended Clarinet feature. The reeds are scored CAATT and we have augmented the brass up to 8 voices. Learn More
  • All the Cats Join In

    Transcribed from her "Rare Gems & Hidden Treasures" album, this sultry chart shows off Peggy Lee's relaxed, almost drawling vocal style at its best. The arrangement is laid back, cool, very hip for its time and a pleasure to play. We have scored the Piano, Bass and Guitar lines "as played", as they cement the feel of the chart. The cameo Alto solo is written out too, with chords also provided. This chart is very straightforward, and the brass ranges are quite moderate (with lead Trumpet to high C# and lead Trombone to Bb). There are no sax doubles and the vocal key is Gm throughout. Learn More
  • All the Things You Are

    Recorded by Helen Forrest with the Artie Shaw band, this is an accurate transcription of the original Jerry Gray concept, complete with the intro Piano solo and Shaw's silky first chorus solo line. We have made a couple of small adaptations: the saxes are scored for AATTB, with Alto 1 taking the Clarinet lines, Baritone doubling Alto (to give the correct AATT backing to the Clarinet), and the brass has been augmented to 8 voices. All of the correct articulations, mute indications and dynamics are included, to enable an authentic performance. The vocal key is F and the vocal range would suit most male or female singers. The modulation into the vocal key is somewhat abrupt, so to help pitch the first vocal note the singer will need to listen to the top sax voice fairly carefully. Other than this, the chart is very playable, and the brass ranges are moderate. This is a great arrangement of a wonderful song. Learn More
  • Ally

    This interesting sextet arrangement by Tom McIntosh was recorded by James Moody in 1962. This is a mini-suite that begins in a ballad setting then moves to up-tempo swing (including the solo section) before moving back to ballad tempo to close out the arrangement. Contents Full Score Flute/Tenor Saxophone Trumpet Trombone Piano Bass Drums Learn More
  • Alright, Okay, You Win

    This version is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart & it is a fine example of how to score an arrangment to feature your vocalist. There is also a great 8 bar bridge between the vocal choruses which gives a real kick to the middle of the arrangement.The Trombones are written for 3 Tenors & a Bass, though the Bass bone is in Tenor range. We have scored the vocal chart to reflect Joe Williams' performance. No Sax doubles. Learn More
  • Always and Forever

    This beautiful ballad is featured on Pat's newest recording Secret Story, and has been scored to highlight solo statements by flugelhorn, guitar or alto saxophone (your choice). It is a warm, pensive ballad with lush, moving harmonies in the Metheny vernacular, and scored for ease of performance and maximum emotional impact. As recorded on CURNOW*ARRANGED BY BOB's L.A. Big Band,The Music of Pat Metheny & Lyle Mays Learn More
  • Amapola

    This is the Benny Goodman version of Amapola, with Helen Forest taking the vocal. A delightful tune, well delivered, & of course with a Clarinet solo from the great man himself. This chart is as per the original version, & we have scored the Saxes AATT plus a Clarinet Solo part. The trick with this chart is not to play it too fast. It just chugs along & swings all the way.  Learn More
  • American Patrol

    This is one our specially written charts for student/amateur swing bands. In addition to the usual 8 Brass and 5 Saxes we have included optional Flutes, Clarinets and Horn in F. Very safe Brass ranges are adopted throughout. This chart broadly follows the ever popular Glen Miller version, but with no doubling in the Saxes and a simplified intro and ending.  It is in the same bright swing style throughout, with all sections playing and no solos. Learn More
  • American Pie

    BIG BAND GIRL VOCAL. Madonna's re-creation of Don Mclean's ever popular song in a full big band setting which carefully follows her recorded version and is in the same key. Watch youtube video using the link below http://www.youtube.com/watch?v=UAq7ukhAZyE Learn More
  • Amor Amor Amor

    BIG BAND INSTRUMENTAL. The well known Latin style number. Learn More
  • And The Angels Sing

    Another classic adapted from the Benny Goodman arrangement. In the original arrangement the vocal chorus led to a typical Goodman 'Yiddish' trumpet chorus. In our arrangement this is replaced by a more conventional trumpet solo chorus & 'middle 8', with the vocal returning to close the chorus. The ending is as per the original, with a trumpet solo feature leading the band to a rousing finale. Learn More
  • ANGEL EYES

    Here is a great Marty Paich arrangement for the Dave Pell Octet recorded on the Pell of a Time album in 1957. This chart features solos for trumpet and trombone. This is one of the easier Dave Pell charts to play, but is absolutely beautiful. This has been fully edited and engraved from the original parts and includes a full score. This is not the facsimile edition that was previously offered. Contents Full Score Tenor Saxophone Baritone Saxophone Trumpet Trombone Guitar Piano Bass Drums Learn More
  • Angels

    Small Band Vocal. Instrumentation: Vocal, Alto Sax, Tenor Sax, Trumpet, Trombone,4 Rhythm and Score. The MP3 sample is a recording of our published chart. Also available as a Big Band Vocal Learn More

    Regular Price: £30.00

    Special Price £25.50

  • Angels

    BIG BAND VOCAL. ROBBIE WILLIAMS. A full Big Band setting of the rock ballad. SPECIAL NOTE: The sample MP3 is a live recording of our actual published chart. Learn More

    Regular Price: £37.00

    Special Price £31.45

  • Anthropology

    Anthropology was written by Charlie Parker and Dizzy Gillespie. Evans arranged the line in 1947, and it was recorded for Columbia Records and for radio transcriptions. The instrumentation calls for 5 saxophones doubling clarinet, 3 trumpets, 2 trombones, 2 French horns, tuba, guitar, piano, bass, and drums. For this publication, the French horn and tuba parts alternately may be played by a 4th trumpet and trombones 3 and 4 as follows: Learn More
  • Anvil Chorus

    Originally from Verdi's Il Trovatore, Anvil Chorus was a big hit for the Glenn Miller band, thanks to the fabulous arrangement by Gerry Gray. We have faithfully restored the original version here, complete with fully written out solos for Tenor & Trumpet. The Saxes are voiced AAATT throughout, as per the original & all dynamics are clearly marked. This chart is great in performance, & at 240 bpm you will need precision & nimble fingers to pull it off. Learn More
  • Any Old Time

    BIG BAND GIRL VOCAL - BILLIE HOLIDAY. This is one of those songs which are very worthwhile listening to on You Tube for the superb phrasing by Billie Holliday, even if you are not planning to buy the chart. This was one of Artie Shaw's biggest early hits.Recorded in 1938 with Billie Holiday and later on with Helen Forrest. It is a clarinet feature in addition to a vocal chart. It begins in F for a chorus and then modulates to C for the vocal part. The chart then goes to Ab for the last section. Shaw's clarinet parts are written out in full (on Alto1) as well as the 8-bar tenor solo. Chord changes have been provided in the event that the players would rather improvise. It was originally written for 3 trumpets and 2 trombones, but it has been adapted for 8 brass. Also the baritone sax doubles on Alto for most of the arrangement. Learn More

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POWERHOUSE ORCHESTRATIONS Pembroke Suite, Upper Pendrill Court, Ermine Street North, Papworth Everard, Cambridge, CB23 3UY Tel / Fax +44 (0)1480 830347