Arranger

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  • Zing Went The Strings of My Heart

    Recorded by Frank Sinatra in December 1960 for the Ring-a-Ding album, but remained unreleased until 1990 when the master tapes of the original recording were rediscovered.  This chart is a Sinatra gem, and even includes the rarely-heard opening verse. Beautifully transcribed and adapted by Jon Harpin from the original Johhny Mandel arrangement, to incorporate the strings back into a regular big band line-up.  This chart is unique and deserves a place in everyone library.  Lead Alto doubles Clarinet briefly.  Duration:  2.50. Learn More
  • Your Love Keeps Lifting Me (Higher and Higher)

    Big Band Vocal. One of the all time great rock numbers, recorded by Jackie Wilson. Backing vocals included (3 girls), plus synth strings. Just right for a party and bound to get everyone on the floor! Also available for Augmented Big Band Vocal with synth strings Cat 4431 THIS CHART CAN NOT BE SOLD OUTSIDE OF EUROPE Learn More
  • Your Love Keeps Lifting Me (Higher and Higher)

    Augmented Big Band Vocal. One of the all time great rock numbers, recorded by Jackie Wilson. Backing vocals included (3 girls), plus synth strings. Just right for a party and bound to get everyone on the floor! Also available for Big Band Vocal with synth strings Cat 4430 Looking for more Music for Strings? Please see our String Orchestra section in "Arrangement Type" found on our home page. THIS CHART CAN NOT BE SOLD OUTSIDE OF EUROPE Learn More
  • Young Hearts Run Free

    Big Band Girl Vocal. This full band chart re-creates all of the excitement of the original recording, including punchy brass fills, a great bass line and added Latin percussion Learn More
  • Young and Foolish

    Let your piano player show off with this stunning ballad arrangement by the recognised master of keyboard voicings and harmonic substitutions. Learn More
  • You're Still A Young Man

    One of the signature ballads from renowned horn band Tower of Power, this tune includes the famous trumpet solo introduction that is one of those magical moments that trumpet players dream about! The rest of the chart is outstanding as well. Includes solo for tenor sax. (Cherry Lane) Learn More
  • You're Driving Me Crazy

    Here is the quirky Billy May version from 1950, full of humourous musical invention. The arrangement seems to be  moving at a nice steady 2-in-the-bar pace, when all of a sudden something completely different crops up, blasts away for a bar or two, and then normality is restored. If you want an arrangement for a special occasion this is it. There are no sax doubles. Learn More
  • You'll Never Know

    You'll Never Know is an enchanting Female vocal ballad, scored by US arranger Dick Burlant. Written with stunning simplicity the vocalist is perfectly complimented by the band backing which is never overdone. Although quite short, at just over 2 minutes, it is as long as it needs to be. The brass ranges are low, & the chart is just so playable. The mp3 was taken live from a rehearsal, so please forgive the sound quality. There are no Sax doubles. Learn More
  • You Stepped Out Of A Dream

    BIG BAND INSTRUMENTAL. Recreate the fabulous sound of the Clarke-Boland band of the 1970s with this laid back swing arrangement, with muted trumpet solo with sax and trombone backing, sax feature 'chase' section and full band last chorus with lush trombone chords. Top written not A for lead trumpet. Key C. NOTE: The sample MP3 is a live recording of our actual published chart. Learn More
  • You Raise Me Up

    Most famously recorded by Josh Groban, here is a nicely scored version for beginning jazz groups that allows each section a chance to play the melody at some point. The arrangement builds to a modulation followed by a powerful statement from the full ensemble. A marvelous change of pace number for any group Learn More
  • You Make Me Feel So Young

    Michael Buble Augmented Big Band Vocal Chart. Our third number from the all time classic Frank Sinatra/Count Basie/Quincy Jones albumn "Sinatra at The Sands" Original key G modulating to Ab.With original lyrics. One of the best big band vocals of all time. Looking for more Music for Strings? Please see our String Orchestra section in "Arrangement Type" found on our home page. Learn More
  • You Make Me Feel So Young

    BIG BAND VOCAL. The classic number from the Sinatra at the Sands album, also now recorded by Michael Buble. Learn More
  • You Made Me Love You

    This is the Harry James version of You Made Me Love You & has a Trumpet feature.  We have scored this version for a regular 5444 line-up & have removed the strings & written their lines back into the band.The sax parts are printed double sided. One side is the version calling for all saxes to double clarinets (bari on bass clari)as per the HJ original.The other side is scored for a regular AATTB section no clarinet doubles.Trumpets are scored for solo, 1,2,3. We have written 4 trombone parts to fill out the section as HJ only used 3. Learn More
  • You Know I'm No Good

    Amy Winehouse. A big band setting for one of her very evocative compositions, following the original layout and in the key as recorded. Learn More
  • You Know I'm No Good

    SMALL BAND VOCAL. Amy Winehouse. A small band setting for one of her very evocative compositions, following the original layout and in the key as recorded. Alto, Tenor, Trumpet, Trombone, 4 Rhythm, Vocal and Score. Learn More
  • You Belong with Me

    From country superstar Taylor Swift, here is her upbeat number one hit in an effective version for jazz ensemble. With saxes on the verse and the brass solidly stating the chorus, this one is sure to be a hit will all audiences. No solos are required Learn More
  • Yes Indeed

    A fine Sy Oliver composition for the Tommy Dorsey orchestra. Yes Indeed is a 'swing spiritual' which Sy Oliver originally sang with the band. Dorsey recorded the chart a few times in a couple of Keys, F (earlier) & G (later). This is the G version. Although it is a boy/girl vocal chart we have scored it to keep it flexible. It can be sung by a single vocalist, or can be played as an instrumental, as we have written it with Trumpet 2 and/or Trombone 1 taking solos instead of the vocal lines. There are no sax doubles. Learn More
  • Yellow days

    Yellow Days comes bouncing to life in this arrangement, which has been engraved from the original manuscript: this is not a transcription. In addition, this arrangement has been authorized and produced with the full support of the Estate of Billy May. This chart swings in classic Sinatra AND Ellington fashions. Learn More
  • Yearnin'

    Thanks to an agreement with Oliver Nelson, Jr., this track and six other classic compositions are now available, edited using Nelson's original manuscripts. Nelson now joins the legendary names whose music is now available. With the lone exception of Teenie"s Blues, all are arranged for alto, tenor, and baritone saxophones, trumpet, piano, bass, and drums. Teenie"s Blues was originally arranged for only 2 altos, piano, bass, and drums. We have included parts for tenor, baritone, and trumpet. Learn More
  • YARDBIRD SUITE

    In 1941 Gil Evans went to New York to write for the Claude Thornhill orchestra, which won two successive Billboard polls in the "sweet band" category. Evans, who was a fan of bebop and modern classical music was the first jazz composer/arranger to combine elements of both into his groundbreaking arrangements. This arrangement of Charlie Parker's Yardbird Suite (known at the time as 'What Price Love') is stunning. Evans employs dissonance throughout (often through minor seconds within sections) as well as subtle color and timbre shifts. Arranging for this same Thornhill band was Gerry Mulligan with whom Gil Evans would later break away and form the famous Miles Davis Nonet and record 'The Birth of the Cool.' This arrangement helped establish Gil Evans as a trend-setting, modern jazz composer. This arrangement has been published from the original autograph score and is authorized by the Estate of Gil Evans. This is not a transcription. Learn More

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POWERHOUSE ORCHESTRATIONS Pembroke Suite, Upper Pendrill Court, Ermine Street North, Papworth Everard, Cambridge, CB23 3UY Tel / Fax +44 (0)1480 830347