Grade

Items 41 to 60 of 1713 total

per page

Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  • Adiemus

    CONCERT BAND. An impressive concert number starting quietly and gradually building to a ff climax - following the layout of Carl Jenkins original recording. Percussion parts included. Learn More
  • Adios

    A hauntingly beautiful number from the Glenn Miller book. Ours is a faithfull reproduction of the original arrangement, with correct Miller voiced Saxes throughout. Lead Trumpet takes the solo line, & lead Trombone has the muted middle solo. This chart is all about dynamics & blending of instruments, in order to achieve the right feel & expression. The notes are easy, but the band must be light. Sax doubles. Alto 1 on Clarinet throughout. Baritone - Alto   Learn More
  • Africa

    The infectious groove of this classic rock tune from the band Toto will have them dancing in their seats. "Africa" has been arranged for the young player at a tempo of half note = 90 BPM. The solos are written for trombone 1 and alto 1. The top note for trumpet 1 is a written G on top of the staff. Optional parts include flute, clarinet, and vibes. Here's a great tune and a fine chart! (4:02) Learn More
  • African Air

    A full Concert Band instrumental arrangement of five traditional and modern African songs, with additional percussion including congas, marimba and cabasa. Learn More
  • Afrodisia

    This Kenny Dorham Latin arrangement was recorded in 1955 on Afro/Cuban (Blue Note). This is fully arranged with great backgrounds during the solos. Contents Full Score Trumpet Tenor Saxophone Trombone Baritone Saxophone Piano Bass Drums Learn More
  • After Supper

    BIG BAND INSTRUMENTAL. Another beautifully relaxed chart from the Basie Band, featured on the Atomic Mr Basie album.  It features Piano, Tenor & muted Trumpet solos & there are no sax doubles. The brass is muted throughout. Originally written for 7 brass, we have added an optional 4th Trombone part for completeness. The Bass Trombone is on the 3rd part. Listen to the original using the link below http://www.youtube.com/watch?v=GRvUbrq1Ag8 Learn More
  • Afternoon in Paris

    John Lewis (composer, pianist, and founder of the acclaimed Modern Jazz Quartet) penned Afternoon in Paris in the '50s and it has remained a jazz standard ever since. This nicely crafted version for younger bands opens with a small group on the head and drums on brushes. Solos for trumpet and tenor follow, along with full ensemble statements. Learn More
  • Against All Odds (take a look at me now)

    Phil Collins Big Band Instrumental Chart. A superb alto sax feature chart of this famous slow rock ballad, starting quietly with alto and piano, and then steadily building with the backing of the whole band. From the album "A Hot Night in Paris". NOTE: The sample MP3 is a live recording of our actual published chart. Learn More
  • Against All Odds (take a look at me now) professional edition

    CONCERT BAND. This version of the superb Phil Collins Big Band alto sax feature chart includes flute, oboe, 3 clarinets, 2nd alto sax, tenor and baritone saxes and bassoon. 3 horns in F, 4 trumpets and 4 trombones. Drums, percussion, guitar, double bass, tuba (optional) and vibraphone (or piano). From the album "A Hot Night in Paris". Key Ab. Learn More
  • Against All Odds (take a look at me now) student edition

    STUDENT CONCERT BAND. This version was produced following the chart success of the single by Maria Carey and West Life. Instrumentation as for the professional edition, Cat PCB 1001, but well within the capabilities of most school wind bands. Key Ab. Learn More
  • AGUAS DE MARCO [WATERS OF MARCH]

    STUDIO ORCHESTRA. In 2001 a poll of more than 200 Brazilian journalists, musicians and other artists was conducted by a leading Brazilian daily newspaper, Folha de São Paulo. Águas de Março was named as the all-time best Brazilian song in this poll. The song first appeared in 1972 on the self-titled record Jobim. Ogerman's instrumentation features 4 various types of flutes, along with violins, cello, guitar, piano, bass, and drums. Ogerman specifies 12 violins and 5 celli and provided exact divisi instructions (which we have included). In addition, all flutes are on bass flute for 4 measures only. We have retained this but have included alternate alto flute parts in the event that bass flutes aren't available. Lastly, we have included both the original Portuguese lyrics as well as the English lyrics. Learn More

    Regular Price: £45.00

    Special Price £33.75

  • AH-LEU CHA

    Supersax was a Charlie Parker tribute band formed by Med Flory and Buddy Clark that debuted in 1972. Their music consisted of harmonized arrangements of Charlie Parkers music played by a saxophone section (2 altos, 2 tenors, and a baritone), rhythm section, and frequently a brass instrument (trombone or trumpet). Notable brass soloists that recorded with the group included Conte Candoli (trumpet), Frank Rosolino (trombone) and Carl Fontana (trombone). Here is Med Flory's arrangement of Ah-Leu-Cha as recorded by Supersax. Charlie Parker's original solo was transcribed in full by Med Flory and then harmonized to be played by a standard big band sax section (2 altos, 2 tenors and 1 baritone). This is a very difficult arrangement but well worth the workout. Med said that it took his band nearly a year to rehearse in advance of recording each of the Supersax records. Well, here's your chance to put your sax section to the test! Enjoy the workout! Learn More
  • AIDA

    CONCERT BAND. A full concert band setting of the Triumphal March from Verdi's opera. Learn More
  • Ain't No Other Man

    BIG BAND GIRL VOCAL. The Christina Aguilera hit number, complete with backing vocals and a great funk beat. Learn More
  • Ain't No Sunshine

    Originally recorded in the '70s, Bill Withers' distinctive slow rocker has become a classic. The minor mode adds to the flavor, and Rick's version for young players skillfully passes the melody from section to section. Also included is a solo for tenor sax. Learn More
  • Ain't Nobody

    Rufus and Chaka Khan. Big Band Vocal. Complete with the Ultimate in Bass Grooves!! Surely a number to put in your band’s folders for the next gig and show the excitement which can be generated by such a tremendous chart – just when the audience are expecting an evening of Glen Miller………. Learn More
  • Ain't that a kick in the head

    Robbie Williams Big Band Chart. Mid Tempo. As recorded by Robbie Williams. Key Eb. (Optional alternative Bb, Eb, and C bass clef instrumental solo parts included). From the album - Swing When You're Winning Learn More
  • Ain't That A Kick In The Head

    Robbie Williams. Augmented Big Band Vocal. Our Big Band chart has now been extended by Cy Payne to include full strings: Violins I and II, Viola and Cello. Looking for more Music for Strings? Please see our String Orchestra section in "Arrangement Type" found on our home page. Learn More
  • Ain't that a kick in the head

    Robbie Williams Small Band Chart by Sammy Cahn & Jimmy Van Heusen, arranged by Shaun Byrne. Instrumentation: Alto, Tenor, Trombone, Trumpet, 4 rhythm vocal and score. Learn More
  • Ain't That Right

    Elegantly transcribed by Jon Harpin from Basie's 1962 Verve album "On My Way and Shoutin' Again", this Neal Hefti chart has a real gospel feel to it, and swings like crazy from start to finish. The opening chorus is from the reeds, with Tenor 1 taking the lead line. The band closes out the melodic statement and Trumpet 2 picks up the solo work, backed by unison reeds. Being a Basie chart, it wouldn't be complete without a big shout chorus and this chart has two of them before things calm down by a re-statement of the intro and sax soli, all finished off with some excellent dynamic contrast from the band, a quick sax lick and final chords. There are no sax doubles. We would like to acknowledge Mr Paul Hefti for his kind assistance which has allowed us to bring this chart to you. Learn More

Items 41 to 60 of 1713 total

per page

Page:
  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
This site uses cookies. By continuing to browse this site you are agreeing to our use of cookies. Find out more here.
x
POWERHOUSE ORCHESTRATIONS Pembroke Suite, Upper Pendrill Court, Ermine Street North, Papworth Everard, Cambridge, CB23 3UY Tel / Fax +44 (0)1480 830347