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Items 61 to 80 of 1675 total

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  • All Of Me

    This version is a transcription of Basie's perfomance from the "Sinatra at the Sands" album and it differs slightly from the great Billy Byers studio version of the chart. The chart must be taken at a laid-back pace and your band needs to observe the written dynamics and articulations in order to achive the right feel. Learn More
  • All Of Me

    Big Band Girl Vocal . A very playable intermediate level arrangement of this great standard in a mid tempo 'foot tapping' swing shuffle style. Time to get up and dance! Just right for your next gig. Learn More
  • All Of Me

    This version is the actual chart recorded by Michael Buble on his Crazy Love album and is itself based on Billy Byers' chart for the Count Basie Orchestra.Piano, Bass and Vocal lines "as performed" by MB's band. The chart is graded as "Medium" even though the lead trumpet has a written high F. The 4th Trombone is Bass and the vocal key is C throughout. There are no sax doubles. Learn More
  • All or Nothing at All (Key: Gmi)

    Here is the tune that helped propel Frank Sinatra to stardom! Jerry's arrangement is a great fit for vocal soloist with jazz ensemble and features a solo for alto sax and a shout chorus for the full band as well. Learn More
  • All the Cats Join In

    Benny Goodman recorded this chart as an instrumental feature, to which a vocal overlay was added before it became part of the soundtrack for Disney's 1946 Make Mine Music cartoon cinema release. It's a hot swing chart that features Clarinet, Piano, Trombone, Trumpet and Tenor, and it works equally well as a concert or swing dance chart. Aside from the Piano solos, all the others are written out in full "as played" by the BG orchestra. We have cross cued the Piano solo chords onto the Clarinet part, should you wish to make this number an extended Clarinet feature. The reeds are scored CAATT and we have augmented the brass up to 8 voices. Learn More
  • All the Things You Are

    If you are looking for a flagwaver that'll set the audience on the edge of their seats, look no further! Learn More
  • All the Things You Are

    Recorded by Helen Forrest with the Artie Shaw band, this is an accurate transcription of the original Jerry Gray concept, complete with the intro Piano solo and Shaw's silky first chorus solo line. We have made a couple of small adaptations: the saxes are scored for AATTB, with Alto 1 taking the Clarinet lines, Baritone doubling Alto (to give the correct AATT backing to the Clarinet), and the brass has been augmented to 8 voices. All of the correct articulations, mute indications and dynamics are included, to enable an authentic performance. The vocal key is F and the vocal range would suit most male or female singers. The modulation into the vocal key is somewhat abrupt, so to help pitch the first vocal note the singer will need to listen to the top sax voice fairly carefully. Other than this, the chart is very playable, and the brass ranges are moderate. This is a great arrangement of a wonderful song. Learn More
  • Ally

    This interesting sextet arrangement by Tom McIntosh was recorded by James Moody in 1962. This is a mini-suite that begins in a ballad setting then moves to up-tempo swing (including the solo section) before moving back to ballad tempo to close out the arrangement. Contents Full Score Flute/Tenor Saxophone Trumpet Trombone Piano Bass Drums Learn More
  • Alright, Okay, You Win

    Over the years, this enduring standard has had many notable recording, such as Joe Williams, Peggy Lee and many others. Sammy's swingin' chart is a natural choice for any vocalist. A winner! Learn More
  • Alright, Okay, You Win

    This version is a very dancable bouncy shuffle that has a solid pulse. There is nothing complicated about the chart & it is a fine example of how to score an arrangment to feature your vocalist. There is also a great 8 bar bridge between the vocal choruses which gives a real kick to the middle of the arrangement.The Trombones are written for 3 Tenors & a Bass, though the Bass bone is in Tenor range. We have scored the vocal chart to reflect Joe Williams' performance. No Sax doubles. Learn More
  • Always True to You in My Fashion

    This song was written by Cole Porter for the musical Kiss Me Kate. Our arrangement is similar to that performed by the great Julie London. This chart moves along nicely, with a mix of two & four beat feel & is elegant in its simplicity. The band parts are very straightforward, there are no sax doubles & the brass ranges are moderate, making it playable by bands of all levels of ability. The vocal is a comfortable female alto key of F. If your singer likes songs that tell a story. Always True to You will be a winner. Learn More
  • Amapola

    This is the Benny Goodman version of Amapola, with Helen Forest taking the vocal. A delightful tune, well delivered, & of course with a Clarinet solo from the great man himself. This chart is as per the original version, & we have scored the Saxes AATT plus a Clarinet Solo part. The trick with this chart is not to play it too fast. It just chugs along & swings all the way.  Learn More
  • American Patrol

    This is one our specially written charts for student/amateur swing bands. In addition to the usual 8 Brass and 5 Saxes we have included optional Flutes, Clarinets and Horn in F. Very safe Brass ranges are adopted throughout. This chart broadly follows the ever popular Glen Miller version, but with no doubling in the Saxes and a simplified intro and ending.  It is in the same bright swing style throughout, with all sections playing and no solos. Learn More
  • American Pie

    BIG BAND GIRL VOCAL. Madonna's re-creation of Don Mclean's ever popular song in a full big band setting which carefully follows her recorded version and is in the same key. Watch youtube video using the link below http://www.youtube.com/watch?v=UAq7ukhAZyE Learn More
  • Amor Amor Amor

    BIG BAND INSTRUMENTAL. The well known Latin style number. Learn More
  • And The Angels Sing

    Another classic adapted from the Benny Goodman arrangement. In the original arrangement the vocal chorus led to a typical Goodman 'Yiddish' trumpet chorus. In our arrangement this is replaced by a more conventional trumpet solo chorus & 'middle 8', with the vocal returning to close the chorus. The ending is as per the original, with a trumpet solo feature leading the band to a rousing finale. Learn More
  • ANGEL EYES

    Here is a great Marty Paich arrangement for the Dave Pell Octet recorded on the Pell of a Time album in 1957. This chart features solos for trumpet and trombone. This is one of the easier Dave Pell charts to play, but is absolutely beautiful. This has been fully edited and engraved from the original parts and includes a full score. This is not the facsimile edition that was previously offered. Contents Full Score Tenor Saxophone Baritone Saxophone Trumpet Trombone Guitar Piano Bass Drums Learn More
  • Angels

    BIG BAND VOCAL. ROBBIE WILLIAMS. A full Big Band setting of the rock ballad. SPECIAL NOTE: The sample MP3 is a live recording of our actual published chart. Learn More
  • Angels

    Small Band Vocal. Instrumentation: Vocal, Alto Sax, Tenor Sax, Trumpet, Trombone,4 Rhythm and Score. The MP3 sample is a recording of our published chart. Also available as a Big Band Vocal Learn More
  • Anthropology

    Series: Professional Editions-Jazz Ens In the skilled hands of Mark Taylor, this uptempo bebop classic becomes a showstopper! Listen for the masterful “Bird” sax soli as well as tight ensemble sounds, all at a brisk pace. If your band is ready for something they can sink their teeth into, this may be the perfect chart. Please note: this item will be printed at the time of ordering and will ship as soon as possible. Learn More

Items 61 to 80 of 1675 total

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POWERHOUSE ORCHESTRATIONS Pembroke Suite, Upper Pendrill Court, Ermine Street North, Papworth Everard, Cambridge, CB23 3UY Tel / Fax +44 (0)1480 830347